Chiara Bettazzi's installation features scientific instruments from the Museo Galileo's storage and materials from the Murate’s storage, along with inventory cards, photographic and documentary evidence. Through visual compositions, these elements - out of context from their original places of conservation - become object and suggestion for the artist's work: a multi-level dialogue of memory is thus opened between Chiara Bettazzi's artistic imagination and the spirit that animates the institutional conservation of historical and scientific objects, resemantized in a new geography of vision.